Category Archives: Making

What I’ve been up to

Crochet necklaces

These are exactly what the name implies: lace for necks. All are made with Irish crochet techniques from natural materials. Last year I had fun using only natural colours, but I’ve got a bit over-excited by the combinations this time round – they look great worn in sets.

Radio Knit

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ClaudiaIt was lovely to hear Rachael Matthews and Jane Garvey talking in Gripping Yarns on the radio again this week.

This is me looking very young 10 years ago talking about Knit 2 Together on Radio 4’s Today Programme. I went on with Shane Waltener to talk about the exhibition.
I was also invited to go on Claudia Winkleman’s Radio 2 Arts programme with Kaffe Fassett. In the 3 minutes between tracks I tried to teach Claudia to knit. I wonder if she ever kept it up?

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You can count knit-relevant content on the radio on one hand. There is definitely room for a regular knitting broadcast on the radio, something to listen to as we knit. There are plenty of gardening programmes. How about Knitter’s Question Time?

 

 

I knit so I won’t kill people

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The Future Starts Here: Rudi Gernreich and André Courèges 1960

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The Novelty Factor: 1970s pop art influences

 

 

 

 

 

 

I haven’t seen the wellbeing of craft expressed quite so succinctly as by Leslie Astor in this lovely bag. People gave me a wide berth all day.
Before they come and drag me away here are just a few images from the new exhibition at the Fashion and Textiles Museum, Knitwear in Fashion: Chanel to Westwood.
Although it couldn’t possibly serve as a chronology of knitwear it is a great edited version through the lens of the collection of Mark and Cleo Butterfield at C20 Vintage Fashion with the eye of curator Dennis Nothdruft and designer Bethan Ojari from the Fashion and Textile Museum. I recommend a visit. There is series of events that go alongside the exhbition including a talk at the Knitting & Stitching Show.
Knitwear: Chanel to Westwood is on at The Fashion and Textile Museum 19 Sept 2014 – 18 Jan 2015. Tuesday to Saturday 11–6pm; Thursday until 8pm; Sunday until 5pm.

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Leslie Astor for Talented Bags from the FTM shop

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This sophisticated top is more like crazy paving when you look closely. The holes are filled with embroidery.

Young Designers

Nicola B's carrot

Nicola B’s carrot, good enough to eat

Nicola B

Nicola Balakian

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Lisa Dillon, Bath Spa

My column in Knitting Magazine No133 is round-up of recent graduates seen at New Designers this year.

Just to clarify a small mix-up in the round-up, that’s not really Nicola (of the cabled carrot). That’s Lisa Dillon who is doing interesting things with texture and synthetic yarns at Bath Spa.

Hope that’s cleared that one up.

Meanwhile, anyone who likes the cut of Cari Morton’s shawl, here’s a link to her site http://www.cariandcarl.com

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The silence of knitting

IMG_2383This is Dawn Cole at an In the Loop study day at Winchester School of Art. Her performance piece, The Silence of Knitting, is based on the life story of her Great Aunt Clarice Alberta Spratling, a volunteer nurse during WWI. Dawn showed us some slides of her solar plate etchings that make beautiful patterns out of the writing found in Nurse Spratling’s diaries and letters. Then she sat down and began to knit. The audience weren’t sure what to expect, some music perhaps or a narration, but there was only the ‘cacophony of silence’. The trouble with quiet is that you start thinking about what those women must have been going through as they made socks and clothing for the men folk at the front. All those unspoken messages and thoughts being sent to brothers, fathers and husbands, woven into every stitch. The audience felt rather awkward and there was some shuffling in seats. Dawn worked a shamrock lace pattern, and didn’t stop until she had finished a whole pattern repeat.

MEN HAD EYES REMOVED

Men had eyes removed. Reading Between the Lines, Solar plate etching, Dawn Cole

This autumn’s Rowan magazine is out with an article about knitting in WWI by yours truly.

It has been a moving experience looking into the hardships of the period. You can recognise the same generous and stalwart spirits who inhabit the knitting world today.

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When you go home, tell them of us and say, For your tomorrows these gave their today.”  John Maxwell Edmonds