Interweave Knits’ Fall Issue is all about Blighty and the Best of British. I have a short piece at the back appropriately named Ravelings. As part of the research I went to meet the lovely Felix Ford who has written a great book about colour stranding and where to get your inspiration, the Stranded Colourwork Sourcebook. After reading it I rushed out to get a new sketchbook with squared paper and sharpened my coloured pencils.
Felix is also a sound artist and makes many field-recordings, something I hadn’t really considered before. My article is about the sound of knitting and how our environment can affect what and how we knit in subtle ways. Jobina Tinnemann’s composition Killing Time uses knitting as a way to recreate the sound of the landscape in Pembrokeshire where she lives. I was lucky enough to be part of one performance in Cardiff last year. All these things make our aural landscape more present and relevant.
Image above: Killing Time on Pwll Deri, Pembrokeshire. Photo: Philip Clarke